Quantcast
Channel: Freedrama free play scripts and monologues for stage and classroom
Viewing all 930 articles
Browse latest View live

"Show and Tell" mystery monologue for young actor

$
0
0
"SHOW AND TELL"
1 minute monologue
by D. M. Larson

Copyright (c) 2017 All Rights Reserved
For permission to use this monologue, contact doug@freedrama.net



***

I walked along a path that paralleled the river. My dog, Mocha, trotted along in front of me, constantly tugging on the leash, darting away each time he caught a whiff of something new. I pulled his leash to reminded him to stick to the trail. Rumors of strange sounds and lights in the woods circulated around the community. These stories made me extra cautious as I hiked along my favorite dog walking route.

The clouds above began to turned pretty shades of orange and pink. I normally loved the sunset, but this meant I was late getting home. I tried to walk faster, but Mocha’s constant investigation of the side of the trail made it a challenge. Suddenly, Mocha stopped and froze. I pulled at the leash but he wouldn’t move. He stared off into the woods and let out a low growl. After another useless tug on his leash, I tried to spy what was upsetting him.


I saw a flash of red light and then heard a beep. This made Mocha bark. I squinted my eyes to see if I could spot the source of the light. Another flash and a beep made Mocha bark again. Mocha pulled at the leash, wanting to investigate. Sharing my dog’s curiosity, I allowed herself be led by the leash into the woods. The light and beeping grew stronger, causing Mocha to run faster. We reached a small clearing and saw a silver sphere about the size of a basketball. Mocha sniffed the sphere and the beeping turned to a chirp. The glowing light went from red to green. I touched the sphere and it suddenly switched off. I picked it up and shook it a little, but nothing happened. Mocha whined in disappointment. I headed back to the trail, carrying the sphere under her arm, happy to have something really interesting for show and tell at school the next day.

END OF MONOLOGUE


***


mystery monologue for young actor

Find Free Stage Play Scripts at Freedrama.net

Freedrama offers free stage play scripts, monologues and theatre games at no cost to actors, directors, teachers and students for the classroom or acting performances. Find tons of resources for teaching and learning acting, speech and communication skills.





Important Copyright Notice

These scripts may be used for FREE but PLEASE do NOT repost the TEXT of any script online in any way. Students, actors, teachers and student may use the scripts for acting or classroom activities and even videos, but do NOT repost them on the internet. Please link to the scripts on the website. We love that! But these scripts are published and protected by copyright (c) 2001-2017 so do not upload the entire text of a script. Performing the scripts for an audience or on a video is totally okay. Just be sure to credit the author and our website (Freedrama.net). Thank you!

Blog post on how copying our scripts without permission hurts us as writers






MORE FREE PLAYS FROM FREEDRAMA.NET!

POPULAR Free Stage Play Scripts


Free MONOLOGUES for 1 Actor


Free Monologues for one TEEN Actor


Free One Act and Full Length Plays for TEEN Actors


Free SHORT Stage Play Scripts and SKITS


Short Monologues


Free FUNNY Short Stage Play Scripts and COMEDY Skits


Funny Comedy Monologues  


Free DUOLOGUES for 2 Actors


Free ONE ACT Plays


Free One Act and Full Length Plays for CHILDREN


Free Monologues for KIDS


Short Plays for CHILDREN


Full Length Plays


Small cast plays for CHILDREN


Short FILM scripts for video


Free Online ACTING School and Tips for New Actors


IMPROV Theatre Games


MadScripts Fill in the Blank Classroom GAMES


Classroom Ideas for TEACHERS


"Wasteland" dramatic acting monologue for male or female - solo actor script

$
0
0
"WASTELAND"
1 minute monologue
by D. M. Larson

Copyright (c) 2017 All Rights Reserved
For permission to use this monologue, contact doug@freedrama.net


***

We live in a world where lies keep us quiet. Lies comfort us and allow us to go about our lives without worry. Why worry when we know nothing of the truth? Every wish is granted and this manufactured reality protects us from the unknown. Don’t meddle in things you don’t understand. Be thankful for what you have. Don’t let whispers of the outside world cloud your judgement. It’s a wasteland outside these walls. These walls protect us and keep us safe. Our leaders watch over us. Always watching. They know everything about us: our every need, our every desire, our fears, our thoughts. They know us better than we know ourselves. Don’t bother with fantasies of what was and what could be. That’s not important anymore. What’s important is that we have each other and we have everything we need to live. We don’t need anything else.

END OF MONOLOGUE


***




Find Free Stage Play Scripts at Freedrama.net

Freedrama offers free stage play scripts, monologues and theatre games at no cost to actors, directors, teachers and students for the classroom or acting performances. Find tons of resources for teaching and learning acting, speech and communication skills.





Important Copyright Notice

These scripts may be used for FREE but PLEASE do NOT repost the TEXT of any script online in any way. Students, actors, teachers and student may use the scripts for acting or classroom activities and even videos, but do NOT repost them on the internet. Please link to the scripts on the website. We love that! But these scripts are published and protected by copyright (c) 2001-2017 so do not upload the entire text of a script. Performing the scripts for an audience or on a video is totally okay. Just be sure to credit the author and our website (Freedrama.net). Thank you!

Blog post on how copying our scripts without permission hurts us as writers






MORE FREE PLAYS FROM FREEDRAMA.NET!

POPULAR Free Stage Play Scripts


Free MONOLOGUES for 1 Actor


Free Monologues for one TEEN Actor


Free One Act and Full Length Plays for TEEN Actors


Free SHORT Stage Play Scripts and SKITS


Short Monologues


Free FUNNY Short Stage Play Scripts and COMEDY Skits


Funny Comedy Monologues  


Free DUOLOGUES for 2 Actors


Free ONE ACT Plays


Free One Act and Full Length Plays for CHILDREN


Free Monologues for KIDS


Short Plays for CHILDREN


Full Length Plays


Small cast plays for CHILDREN


Short FILM scripts for video


Free Online ACTING School and Tips for New Actors


IMPROV Theatre Games


MadScripts Fill in the Blank Classroom GAMES


Classroom Ideas for TEACHERS

Why use monologues as a learning tool? practice public speaking and acting skills with monologues

$
0
0

Why use monologues as a learning tool?

1. Monologues are a fun way to practice speech and communication skills.
2. Not only would a student gain skills from memorizing and performing monologues, but they create opportunities for discussion about feelings and how to communicate emotions.

3. Monologue are excellent for children to practice memory skills as well as practice dramatic expression.  

4. Communication is important to foster and stage monologues are an excellent way to encourage kids to improve their public speaking.


Why use monologues as a learning tool?


How to Practice a Monologue:

1. Select a monologue that is right for you. Try to find one that fits your age and personality. If you’re a 14 year old girl, don’t do one about a 70 year old man. Ideally, look for a monologue that you can understand from your own experiences. For example, a monologue about sailing might be hard to connect to emotionally if you’ve never been on a boat.

2. Read the source. Find the play that your monologue comes from and read it to understand what is happening before and after the monologue. If you are in a competition and need to use a published play, it is good to purchase a copy of the play the monologue comes from to take with you in case the judges ask for it.

3. Who is the character? When you read the monologue and the play it comes from, look at the character more closely.  Use adjectives to describe them.

4. Analyze the monologue. Break it down into parts. Find changes in tone. If you show an emotional range, it will keep it interesting. Find parts where you can show different emotions. Perhaps one part is silly and another more serious. Maybe you can show sadness in one part and anger in another. The more variety you add, the more interesting it becomes.

5. Re-read the monologue dramatically.

6. Memorize the monologue.

7. Record yourself performing the monologue and review it.

8. Next, perform for someone you feel comfortable with and get feedback.

9. Now, you’re ready to perform or audition.

Here is a link to free monologues to pick from at http://www.freedrama.net/small1.html or if you need a PDF, check out the links below:


"The Big Bad Wolf" is a comedy monologue for young actors who want to practice their humorous acting skills.  http://www.currclick.com/product/104427/The-Big-Bad-Wolf


"End the Hurting" a short script that highlights the struggle children go through when they are abused and bullied http://www.currclick.com/product/104743/End-the-Hurting-acting-monologue-and-scene






"Piggy Princess" Monologue, excellent way to practice speech and communication skills as a reader and actor http://www.currclick.com/product/105545/Piggy-Princess-monologue


Public Speaking and Acting Skills with monologue Alien Goo


"How to be a Pirate" is a monologue about a pirate girl who is teaching someone else how to be a good female pirate. This is a fun comedy monologue to practice a young actor's acting skills. This monologue is from the play "The Pirate and the Princess" by D. M. Larson


“Sunset Princess” also from “The Pirate and the Princess”


Humpty Dumpty Private Egg Hard-boiled Detective is a family friendly comedy monologue for male actor adapted from the full length play "Holka Polka"


"Bullied, Bungled and Botched" is a series of monologues for the stage about young adults who are  dealing with bullies and depression. They share their struggles, hopes and dreams and eventually find a way to work together and support each other through this difficult time in their lives.


“The Not So Perfect Child” is a dramatic monologue by D. M. LARSON from the published stage play “Flowers in the Desert”
It is the story of a girl who feels she is overshadowed by her sister and not good enough for her mother.


“Protecto” is a kid who wants to be a hero. He dreams of making the world a better place.  And he wants to protect everyone from a bully who is hurting everyone. The monologue is also an excellent way to introduce the topic of bullies to children and encourage discussion about this social issue that many kids struggle with.





practice public speaking and acting skills with monologues




Big Nose A Modern Cyrano monologues from a published play

$
0
0
MONOLOGUES FROM THE PLAY "BIG NOSE"

“GO HOME”

CYRIL
Where have you all been? Getting ready for what? The apocalypse?! I've been here for twenty minutes! We were to meet at the shelter to make our plan of attack. How can you know what equipment you'll need if you don't know what disaster we're facing? Oh, I wouldn't want to interfere with your busy schedule. In fact, why don't I tell you when a disaster is coming a week in advance? That way you can plan ahead of time to make sure you're free! But it's not going to happen! God doesn't call ahead to let me know when these things happen. They just do. And that's why we've got to be ready. Fine. Why don't you all go home. Take the day off. When there is an earthquake or a blizzard and the people crowd into this shelter looking for help, I'll tell them there's nothing we can do, because we're not prepared to help.
Go home then. I said go home!

END OF MONOLOGUE




“NEVER TOUCH”

CYRIL
Save your breath. I don't need anyone's sympathy. I'm used to disappointment. I experience it every morning when I look in the mirror. Some people have bad hair days. I have bad nose days. You want to know what's wrong? Roxy and I were here all night talking. And that's we did was talk. And that's all we can ever do, is talk. What else would a woman want with me? She's beautiful and smart… And way out of my league. What is my league, anyway? Bearded ladies? The mail order kind? Don't even kid yourself. Someone like her is looking for someone a lot better looking than me.
(CYRIL sadly laughs)
Who'd want me anyway? Who'd want to wake up every morning and see a glorious nose. My nose is huge, enormous, vast! Hey, here's an accessory I should be proud to wear. I have been told a large nose is the sign of a large heart. It is a symbol of courage and courtesy. It makes me twice a man! It should. I have twice the nose. But what makes me great, unique and wonderful... makes me most undesirable.
(Looks off sadly)
All you see is my nose. That's all anyone sees. Roxy could never love me. You've helped me to see that now. I was a dreamer. Living in my mind. Flying to the moon and back. Riding on a moon beam. Skipping on clouds. I am a poet. A romantic. I shall always smell the rose but never touch it.

END OF MONOLOGUE



“HIDDEN IN THE NIGHT”

ROXY
What are you doing here?  I am supposed to be in bed asleep.  No,  you can't join me.
(Her anger and surprise changes to worry)
But don't go.  Hide over there.  But not too far away.
(She looks around)
Can you still hear me?  Shhh... I don't want them to hear your voice... But I want you to listen.
(She becomes sweet and shy)
I want to tell you something.  I know you can't see my face.  The night hides me from you.  But when you get closer I can feel myself blushing.
(She gets excited)
It's because of those things you say to me...
(Then she catches herself and scolds him)
You shouldn't say them...
(Then saddens)
But I want to hear more... I want so badly to hear your sweet words again.
(Worried)
Is it wrong for me to want that?  Is it wrong for me to think what I thinking about you?
(More determined)
I want more than words... More than compliments.  I want to hear THE words... The words that mean more than all the rest.
(long pause)
 Tell me you love me... I know you feel it but I want to hear the words...
ROXY (CONT.)
(She closes her eyes and says sweetly. CYRIL is very touched by this)
I love you...
(long pause; she opens her eyes and is stern)
But if you say it and it's a lie… I don't think I could survive such a lie.
(pause)
Lovers lie don't they... Would you lie to get a kiss from me?  I only want to hear the truth... Please. Don't tell me lies.  Say you love me!
(She looks around to see if anyone heard her; long pause; she looks at him nervously)
I hope I don't seem easy. You think I sound too desperate?
(smiles and laughs a little)
I sound a bit silly like some schoolgirl... it's because I am so crazy about you.
(pause; more serious)
I won't lie to you... I love you. It is true love I feel.  
(pause; nervous)
Maybe I should have lied... I should hidden my love from you.  My love should stayed hidden in the night, never to see the light of day.
(She is startled by a sound)
Someone is coming... Please go away... They can't see you here... no one can... Hurry...
(She watches him go; sadly)
I will send you a kiss good-bye.

END OF MONOLOGUE

"DIE AND LEAVE THEE"

(This is an over-dramatic death scene of a 17th century captain who has been stabbed by a sword.  He should be dead but it takes forever for him to die)

CAPTAIN
Oh, my heart. My loving heart. My heart is stabbed. I can love no more.

(He falls. He might be dead.  Nope.  He gets up again)

I die now. I die. I leave thee to love for I can love no more. My heart is worn. My blood will pour this night no more. I leave my sword, my rank, my love. You have it all now. You have everything I desire.

(Cough. Falls to his knees)

I die and leave thee. I die and leave thee these words…

(Gurgling sound. Falls to the ground.  Halfway up one more time)

Aaaugh!

(Falls and dies finally)





***

Big Nose A Modern Cyrano Part 8 one act stage play script

$
0
0
Big Nose Part 8

KELLY rushes out and faces audience)
KELLY
Well, folks. That was an interesting twist in tonight's show. We will now have a ten minute intermission...
CAPTAIN
(Storms onto the stage. Rips up a contract in front of KELLY)
I quit!
(Exits)
KELLY
Let's make that a twenty minute intermission and we'll be back... with something.
(Angrily calls to CYRIL under her breath)
Get over here.
CYRIL
Something wrong?
KELLY
Thanks to you, the theatre group canceled the rest of tonight's performance. Now what am I going to do?
CYRIL
Hey! Let's have a community talent show.
KELLY
You mean right now?
CYRIL
Give a prize. That will make them happy.
KELLY
(Sighs)
I guess. What else can I do?
KELLY
(ROXY exits as CYRIL enters. He watches her go)
You ready?
CYRIL
Of course.
(To audience)
Everyone? Can I have your attention please? Due to a sudden attack of stupidity, we will not be showing our regularly scheduled play. Instead I present to you a talent show where you, the audience, can be a part of it. First prize... $100.
KELLY
$100?
CYRIL
(Aside)
Just play along.
KELLY
Easy for you to say. It's not your $100.
CYRIL
I'll start things off by reciting some of my poetry.


CAPTAIN
(Appears out of audience)
I thought you said this was a talent show. It can't be one with you in it.
CYRIL
You're still here? Did the rest of the theatre group leave without you?
CAPTAIN
Aren't you being a little nosey?
(Referring to CYRIL'S nose)
I guess you're probably always nosing around.
(CYRIL is mad. ROXY, SOLDIER, KELLY reappear on stage)
What's wrong? I guess nobody nose!
CYRIL
Is that all you can think up?
CAPTAIN
I'm sure I could come up with a few more.
CYRIL
I bet you can't.
CAPTAIN
Wanna bet?
CYRIL
Gladly.
KELLY
Cyril. What are you doing?
(CYRIL waves her down)
CYRIL
I challenge you to a dual of jokes. Whoever tells the most nose jokes...
(CAPTAIN is up on stage)
CAPTAIN
Yes?
CYRIL
(Thinks. CYRIL motions to ROXY)
Gets a kiss from the lovely lady.
KELLY
Cyril!
ROXY
No, it's okay.
CAPTAIN
(Comes onstage. Eyeing ROXY)
I'll gladly accept as long as it's a real kiss, not one of those stage kisses.
ROXY
(Winks at CYRIL)
It depends who wins.
(FRIENDS cat call from audience)
CYRIL
Shall we begin?
CAPTAIN
Okay, big nose.
(Laughs)
There's one.
CYRIL
That's it? I guess I shouldn't expect much from someone who must use his nose to count to eleven.
FRIEND
(From audience)
One - one!

CYRIL
No, no. We are insulting my nose, not his. Let's see. Oh, yes. Aggressive: Sir, if I had such a nose, I would cut it off to please, not spite, my face.
(Looks at audience)

CYRIL (CONT.)
One - one.
CAPTAIN
Your nose is so big you must use a box of tissues a day.
(A few boos from FRIENDS)
CYRIL
Oh, let's give it to him. Two - one.
(Thinks)
Hmmm. Ah, here's one: Hey, that thing's nearly a house... and wow, what a view!
FRIEND
Two - two!
CAPTAIN
(Frustrated. Then smiles)
I've seen a bigger nose. On an elephant.
CYRIL
Very good. Three - two.
(Thinks. Smiles)
On exercise: I've heard of people developing their muscles, but developing your nose? It's thenoseflex exercise challenge.
FRIEND
Three all!
CAPTAIN
(Annoyed)
Uh, your nose is so big you... you...
CYRIL
See the snot before you hear the sneeze?
FRIEND
That point goes to Cyril.
CAPTAIN
He didn't let me finish.
CYRIL
Go ahead.
CAPTAIN
It's so big... you're always nosing around.
(Boos)
CYRIL
No point.
(CAPTAIN scowls)
Gracious: How kind of you! How many people put a bird perch on his face?
CAPTAIN
Now look here...
CYRIL
When you have a cigarette and blow out your nose, do the neighbors cry, "Look out! A chimney's on fire!"
CAPTAIN
Forget it... I'm through...
CYRIL
(Stops him)
But I'm just getting started. When you go to the movies, do they charge you twice?
FRIEND
Seven to three!
CAPTAIN
It is not!
CYRIL
(CAPTAIN is really ticked)
And for my final insult: Musical. Sing with me now:
(FRIENDS sing with CYRIL)

FRIENDS and CYRIL
Nobody NOSE the trouble I've seen. Nobody NOSE my sorrow.

(FRIENDS give wild applause)
CAPTAIN
I'm out of here.
CYRIL
Don't forget to write.
ROXY
Thank you for putting that idiot in his place.
(Smiles at CYRIL who suddenly becomes shy)
And for your prize... a kiss.

(She kisses him. Everyone cheers. LIGHTS FADE TO BLACK)

END OF PLAY





***

Big Nose A Modern Cyrano Part 7 one act stage play script

$
0
0
BIG NOSE Part 7

curtains open on a poorly constructed set. There is a balcony with odd
colored cloth hanging down and a backdrop that is supposed to be a castle. The audience can see CYRIL watching her and reacting to her performance)

ROXY
What are you doing here?  I am supposed to be in bed asleep.  No,  you can't join me.
(Her anger and surprise changes to worry)
But don't go.  Hide over there.  But not too far away.
(She looks around)
Can you still hear me?  Shhh... I don't want them to hear your voice... But I want you to listen.
(She becomes sweet and shy)
I want to tell you something.  I know you can't see my face.  The night hides me from you.  But when you get closer I can feel myself blushing.
(She gets excited)
It's because of those things you say to me...
(Then she catches herself and scolds him)
ROXY (CONT.)
You shouldn't say them...
(Then saddens)
But I want to hear more... I want so badly to hear your sweet words again.
(Worried)
Is it wrong for me to want that?  Is it wrong for me to think what I thinking about you?
(More determined)
I want more than words... More than compliments.  I want to hear THE words... The words that mean more than all the rest.
(long pause)
 Tell me you love me... I know you feel it but I want to hear the words...
(She closes her eyes and says sweetly. CYRIL is very touched by this)
I love you...
(long pause; she opens her eyes and is stern)
But if you say it and it's a lie...
(Sad)
I don't think I could survive such a lie.
(pause)
Lovers lie don't they... Would you lie to get a kiss from me?  
(pleads)
I only want to hear the truth... Please. Don't tell me lies.  Say you love me!

(She looks around to see if anyone heard her; long pause; she looks at him nervously)
ROXY (CONT.)
I hope I don't seem easy. You think I sound too desperate?
(smiles and laughs a little)
I sound a bit silly like some schoolgirl... it's because I am so crazy about you.
(pause; more serious)
I won't lie to you... I love you. It is true love I feel.  
(pause; nervous)
Maybe I should have lied... I should hidden my love from you.  My love should stayed hidden in the night, never to see the light of day.
(She is startled by a sound)
Someone is coming... Please go away... They can't see you here... no one can... Hurry...
(She watches him go; sadly)
I will send you a kiss good-bye.
(She blows him a kiss. CYRIL catches the kiss and puts it in his pocket and then goes into the audience to watch the next scene. Roxy exits. Two men enter in Shakespearean type dress. They are very bad actors who think they are very good)

CAPTAIN
Look at yonder window, friend. She awaits me, she does.
SOLDIER
Doth she?
CAPTAIN
She does.
SOLDIER
But doth she love thee?
CAPTAIN
She does.
SOLDIER
So good for you.
CYRIL
(From audience)
So bad for us!
(He and FRIENDS laugh. The two actors take a quick glance out in surprise then quickly get back in character)
CAPTAIN
Uh... yes. She loveth me. She wroteth a letter.
(Takes it out. Sniffs lovingly)
Ah, doth though smelleth her fragrance? Doth thou find it heavenly?
SOLDIER
(Excited)
I smell. I smell.

CYRIL
You can say that again.
(He and friends laugh. The two actors try to hide their anger, but they don't do it well)
CAPTAIN
Tonight, I shall go to her. Tonight. Tonight!

CYRIL
When?!
CAPTAIN
(Angry. Trying to be more dramatic)
Tonight!
CYRIL
(Mocking)
I can't hear you.
CAPTAIN
(Turns to run off the stage)
Now look here!
(SOLDIER grabs him)
SOLDIER
I can not let you go to her.
CAPTAIN
(One more look at CYRIL then gets back to play)
Why doth thou stopeth me?
SOLDIER
Because she is to be mine.
CAPTAIN
Then we must fight to our deaths.
CYRIL
We can only hope.
SOLDIER
(They pull swords)
We fight for love!
(They dual. CYRIL sings "Love Boat Theme." He gets FRIENDS to join in. CAPTAIN is stabbed)
CAPTAIN
Oh, my heart. My loving heart. My heart is stabbed. I can love no more.
SOLDIER
Oh, my captain. I have slain thee. But how?
CYRIL
What do you mean "how"? What's that in your hand, a swizzle stick?

CAPTAIN
I die now. I die. I leave thee to love for I can love no more. My heart is worn. My blood will pour this night no more. I leave my sword, my rank, my love. You have it all now. You have everything I desire.
(Cough)
I die and leave thee. I die and leave thee these words.

CYRIL
Will you just die already?!
CAPTAIN
(Jumps up)
I've had it with you!
CYRIL
It's a miracle. He's alive.
CAPTAIN
(Picks up his sword)
Come on, whoever you are. I've had it with you. One night is bad enough but three in a row!
CYRIL
(Leaps up onto the stage)
Do you not know me?
CAPTAIN
Oh, yeah. I know you now. You're the one with the big nose.
(Gasp from CYRIL'S FRIENDS)
FRIEND
(From audience)
You shouldn't have said that.
CYRIL
You're offended by my nose?

CAPTAIN
It is no stranger than a dog with two tails.
(He laughs but no one laughs with him)
CYRIL
There was a poem a read once. It goes something like this:
(Picking up a sword)
"Roses are red. Violets are fuchsia. What you dish out, comes right back to ya!
(And CYRIL quickly unarms the CAPTAIN with a twist
of his sword)
CAPTAIN
(Looks at empty hand)
How did you...?
(Backs away)
No hard feeling, huh?
CYRIL
None at all.
(CAPTAIN starts to go)
CYRIL
I look forward to seeing your performance tomorrow night.
CAPTAIN
Oh, no.
CYRIL
Oh, yes.
CAPTAIN
Oh, golly.
(Exits)
ROXY
(Comes out on balcony)
What's going on out here?


CYRIL
(To audience)
Now, for the moment you've all been waiting for. The farewell. When we last left our hero, he was flat on the floor, bleeding and giving some terribly boring speech. But his fair lady comes out and sees him dying. She calls out to him:
(He points to her)
ROXY
(She gives him a dirty look)
What are you doing?
CYRIL
And she says...
ROXY
(Sighs. Speaks flatly)
Oh, but I must have one good-bye kiss.
CYRIL
And so our hero, though he is bleeding to death, uses his last bit of strength to climb up to her.
(He does actions. The ROXY looks very annoyed. He is almost to her)
He wants that one last kiss. The kiss he has been dreaming of. But before he can reach her he tosses the mortal coil. UHHH!
(He dies and falls. Looks out at audience)
And dies.
(Stands up)
Finally.
ROXY
That isn't how it ends.
CYRIL
It isn't?
ROXY
No. It ends with a kiss.
CYRIL
It does?
ROXY
Yes.
CYRIL
Really?
(He climbs up again)
Could you perhaps... show me?

(She looks at him critically and then smiles. She leans to almost kiss him)
ROXY
In your dreams.


(She pushes him off)




***

Big Nose A Modern Cyrano Part 6 scene for 2 actors duologue

$
0
0
Big Nose Part 6

SCENE 3
(Lights come up the curtain.  ROXY enters in a Shakespearean type dress. CYRIL sees her and approaches)

CYRIL
Roxy… you look amazing.

ROXY
Oh, this old thing?

CYRIL
You ready?

ROXY
I’m really nervous. I’ve acted before but not with so little time to prepare.

CYRIL
You’ll do great.

ROXY
And I’m very tired. Someone kept me up all night.

CYRIL
Not too loud. Someone might get the wrong idea.

ROXY
You’re great to talk to. I’ve never opened up like that to anyone before.

CYRIL
I really enjoyed talking with you too. We must be kindred spirits or something.

ROXY
So many guys are creeps. They clearly could care less about what I have to say. Especially that creepy actor running this show.  You know what he did?  That’s probably why I’m so nervous.

CYRIL
What did he do?

ROXY
He walked in on me while I was getting dressed.

CYRIL
I’m going to kill him.

ROXY
I think I’ll bite his ear off instead of kiss him at the end.

CYRIL
Please do.

ROXY
Or at least push him down the ladder.

CYRIL
I can’t believe this guy. You can quit right now. I’ll talk to Kelly. You shouldn’t have to go through with this.

ROXY
It’s okay. I’ll do it. I want to help Kelly.

CYRIL
But after the show…

ROXY
He’s all yours.

CYRIL
Your honor will be avenged my lady.

(CYRIL bows and kisses her hand)

ROXY
You know what? Can I tell you something?

CYRIL
Sure.

ROXY
It’s embarrassing.

CYRIL
Even better.

ROXY
I hope you won’t be offended.

CYRIL
I have a thick skin.

ROXY
I think you have an amazing nose.

CYRIL
What?

ROXY
I know it’s… unique. But I think it’s amazing. So many guys have such boring faces, but you… you’re a work of art.

CYRIL
Modern art.

ROXY
Wonderful classic art. One of a kind.

CYRIL
I am an original.

ROXY
I just wanted you to know, I think your nose is really cool. I like you and your nose.

CYRIL
We both thank you.


ROXY
Looks like it is time for my big scene.

CYRIL
Thanks, Roxy.  What you said means a lot to me.

ROXY
And you mean a lot to me too. You’re one of the best people I’ve ever met.

(ROXY exits. CYRIL does a happy dance)

CYRIL
I think this might be the best day of my life.


(CYRIL exits)




***

Big Nose A Modern Cyrano Part 5 one act stage play script

$
0
0
Big Nose Part 5

(KELLY enters)

KELLY
How did you beat me here?

CYRIL
I never left.

KELLY
What were you doing?

CYRIL
Um… preparing for the drill.

KELLY
All night?

(FRANK wonders in with other volunteers)
FRANK
Sorry we’re late. We were a little slow getting ready. It’s really early you know.


CYRIL
Where have you all been? Getting ready for what? The apocalypse?! I've been here for twenty minutes! We were to meet at the shelter to make our plan of attack. How can you know what equipment you'll need if you don't know what disaster we're facing? Oh, I wouldn't want to interfere with your busy schedule. In fact, why don't I tell you when a disaster is coming a week in advance? That way you can plan ahead of time to make sure you're free! But it's not going to happen! God doesn't call ahead to let me know when these things happen. They just do. And that's why we've got to be ready. Fine. Why don't you all go home. Take the day off. When there is an earthquake or a blizzard and the people crowd into this shelter looking for help, I'll tell them there's nothing we can do, because we're not prepared to help.
Go home then. I said go home!

(FRANK shrugs and leads other volunteers out)

KELLY?
What’s with you today?

CYRIL
I get really tired of being the only one who cares about all this. I just want to protect  people. I just want to keep them safe.

KELLY
I know… you’re a good person, Cyril.

CYRIL
Yeah, I’m great.  I’m a good guy. A nice pal. Wonderful buddy material.

KELLY
Okay, something else is wrong.  It’s not only the volunteers that are bugging you. You have something else on your mind.

CYRIL
If need a shirk, I’ll go look up someone more qualified than you.

KELLY
Ouch… I’m on your side okay?


CYRIL
I’m sorry… that was uncalled for… what do I have left if I lose my charming personality?

KELLY
Ah… this is about something else isn’t it?

CYRIL
Now you’re psychic.

KELLY
Yes… now spill it or I’ll have to use my powers to dissect your brain.

CYRIL
It’s my nose.

KELLY
The nose blues again huh?  You can talk to me about it.

CYRIL
I’m sick of talking about it. And I’m sick of my nose.

KELLY
I know it’s really hard for you. And that actor was a real jerk to you yesterday. That’s gotta hurt...

CYRIL
Save your breath. I don't need anyone's sympathy. I'm used to disappointment. I experience it every morning when I look in the mirror. Some people have bad hair days. I have bad nose days. You want to know what's wrong? Roxy and I were here all night talking. And that's we did was talk. And that's all we can ever do, is talk. What else would a woman want with me? She's beautiful and smart… And way out of my league. What is my league, anyway? Bearded ladies? The mail order kind? Don't even kid yourself. Someone like her is looking for someone a lot better looking than me.

(CYRIL sadly laughs)


CYRIL (CONT.)
Who'd want me anyway? Who'd want to wake up every morning and see a glorious nose. My nose is huge, enormous, vast! Hey, here's an accessory I should be proud to wear. I have been told a large nose is the sign of a large heart. It is a symbol of courage and courtesy. It makes me twice a man! It should. I have twice the nose. But what makes me great, unique and wonderful... makes me most undesirable.
(Looks off sadly)
All you see is my nose. That's all anyone sees. Roxy could never love me. You've helped me to see that now. I was a dreamer. Living in my mind. Flying to the moon and back. Riding on a moon beam. Skipping on clouds. I am a poet. A romantic. I shall always smell the rose but never touch it.

KELLY
I’m so sorry, Cyril. I didn’t realize…

CYRIL
So you’re not a mind reader after all?

KELLY
It’s hard with that thick skull of yours.

CYRIL

Hey, be nice… I’m vulnerable.


KELLY
You need a distraction… you need to come to the play tomorrow night.

CYRIL
But those actors are terrible.  Where did you dig them up?

KELLY
Their troop was cheap and I need to keep this stage busy.  They’re good for a few laughs.

CYRIL
Fine… I’ll come.

KELLY
Thanks. There’s nothing worse than an empty theatre.

CYRIL
With those actors, I’m not so sure about that.

KELLY
Roxy is going to be in the play tonight.

CYRIL
True.

KELLY
It’s just a small part but it will be fun to see her act, don’t you think?

CYRIL
Maybe…

KELLY
I know you’re conflicted. I’d understand if you wouldn’t want to see her right now.

CYRIL
I want to see her… that’s the problem. I don’t want to stop seeing her… ever again.  Except I wish she could see me… really see me…

KELLY
Hopefully one day she will.

CYRIL
See you tonight then.

KELLY
You’re coming?

CYRIL
I wouldn’t miss it.


END OF SCENE







Big Nose A Modern Cyrano Part 4 one act stage play script

$
0
0
Big Nose Part 4

ROXY
I appreciate you helping me practice. And saving me from that guy. He’s dreadful.

CYRIL
You handled him nicely.

ROXY
I’m used to dealing with guys like that.

CYRIL
You must have a lot of guys… annoying you. I mean…

ROXY
It seems like it. They all rub me the wrong way though. You’re different though. I enjoy talking with you. I don’t feel so nervous around you.

CYRIL
Nervous?

ROXY
Most guys make me nervous. I always feel like they are saying one thing and thinking another. You seem more genuine. Less rehearsed. More natural.

CYRIL
I guess I focus on the person and not on the gender. I’m not the kind of guy who gets to date much so it’s not really on my mind all the time.

ROXY
Thank you for treating me like another person. It’s always better to start out as equals and as friends.

CYRIL
Agreed. Ready to practice my friend?

ROXY
Action.

CYRIL
Cut.

ROXY
What’s wrong?

CYRIL
I don’t know my lines.

ROXY
Good point. Let’s go find another copy of this script.

END OF SCENE
SCENE 2

(Siren is heard. Lights come up on ROXY and CYRIL)

ROXY
I’ve never talked so much in my life.

CYRIL
Don’t stop now. I think you’re going to break a record.

ROXY
You don’t mind?

CYRIL
I’ve never enjoyed myself so much in my life.

ROXY
You’re such a sweetie. Why can’t more men be as nice as you?

CYRIL
I’m one of a kind.

ROXY
So many men are just focused on how I look. They can’t get past that.

CYRIL
People in general are that way. This book often gets judged by its cover.

ROXY
Don’t you get tired of that?

CYRIL
I am so past tired of that. What’s past tired?  Exhausted.  I’m exhausted by it.

ROXY
Sometimes I want to put on a mask and force guys to get to know me.

CYRIL
Interesting idea.

ROXY
They’d have to get to know the real me before they see what’s under the mask.

CYRIL
You don’t need a mask. You just need to find the right guy.

ROXY
But I always seem to attract the wrong kind of guy.

CYRIL
Maybe not always… maybe you have run into the right guy… he just might be too shy to say anything.

ROXY
Maybe I do miss the shy guys… the guys I don’t like are always in my face about it. Maybe I need to try looking for those other guys… the ones that don’t tell me how hot I am and hit on me. I could be missing out on a whole different type of guy.

CYRIL
Forget the muscle heads with their chiseled looks. There might be some interesting guys out there who might not be the best looking guys, but might be worth getting to know.

ROXY
I guess I’ve been a bit superficial too. Just because I can date a good looking guy doesn’t mean I need to. Wow, maybe I have been just as bad as those guys I can’t stand. I never even considered that I might be missing out on something with other kinds of guys. Thanks for the reality check.

CYRIL
That’s me… Mr. Reality.

ROXY
It’s nice to meet a guy who’s real for a change.

CYRIL
And it’s great to get to know you. You’re one of those rare people who are just as beautiful on the inside as they are on the outside.

ROXY
Oh stop.

CYRIL
It’s true. So many pretty people are so ugly inside. They really get caught up on themselves. They can’t think about anything else… or anyone else.

ROXY
I think I’ve fallen in that trap myself. But I do want to be a better person. I do want to look at things in a different way… I want to see people differently… and be seen differently too.

CYRIL
I see a whole different person now.

ROXY
Is it okay… what you see?

CYRIL
What I see is wonderful.

(ROXY smiles and is embarrassed)
(siren again)

ROXY
What is that siren?

CYRIL
That’s our emergency drill. I prepare a local team of volunteers to handle different natural disasters such as floods, fires, earthquakes, volcanoes…

ROXY
Volcanoes.

CYRIL
We have them around here.

ROXY
Where is everyone?

ROXY
What time is it?

CYRIL
Seven.

ROXY
In the morning?

CYRIL
We’ve been here all night.

ROXY
Wow… that’s incredible. You’re so easy to talk to.

CYRIL
It’s these big ears.

ROXY
That’s for listening to me. You’re such a good friend.

CYRIL
Yeah…

ROXY
I better go. I better get a shower before work. I probably stink bad.

(ROXY leaves)



CYRIL

I doubt it. I never smelled anything so sweet before. And I know smells. My nose knows so much. A fine meal, the freshest flowers, the ripest fruit and even the subtle signs of an oncoming rain. But my nose knows so little about love. Because of my nose, I know nothing about love. I can love a good cup of coffee or the wonderful smell of spring, but nothing loves me back. I can love and appreciate so much more than everyone because of this glorious nose. But this nose keeps me from getting anything in return.









Big Nose A Modern Cyrano Part 3 one act play script

$
0
0
Big Nose Part 3

CYRIL
Here she comes. I’m going to ask her to coffee… or dinner… or to a movie… or…

(ROXY comes toward them. CYRIL steps toward her, but the CAPTAIN cuts them off and gets between CYRIL and ROXY)

CAPTAIN
Here is your script.

(ROXY looks at script. CAPTAIN looks at ROXY and then at CYRIL. CYRIL stares daggers at CAPTAIN. KELLY rolls her eyes)

ROXY
I have a monologue? That I have to know by tomorrow?

CAPTAIN
Can you handle it?

ROXY
Yes.

CAPTAIN
You can practice that part on your own. I want to do our part at the end.

ROXY
The kissing part?

CAPTAIN
Indubitably.

ROXY
But who am I talking to during the monologue?

CAPTAIN
Me. Your one true love.

ROXY
But you’re not on stage?

CAPTAIN
I have to prepare for my scene - it’s very intense.

ROXY
So I’m on stage alone talking to noone.

CAPTAIN
Duh… that’s why it is called a monologue.

CYRIL
She is trying to help you out. Shouldn’t you be a little more respectful.

CAPTAIN
What do you know about acting, sir?

CYRIL
I’ve seen you act. I might ask the same question.

KELLY
Down boys. Let’s be civil.

CAPTAIN
Please remove this stagehand at once. We have work to do.

CYRIL
Stagehand?

ROXY
He’s not a stage hand. He’s my acting coach.

CAPTAIN
What?

ROXY
I brought him in special to help me.

CAPTAIN
But I can assist you. I know the play.

ROXY
You must be far too busy to bother with an understudy like me.

CAPTAIN
It’s no bother. This is my favorite scene.

CYRIL
I’ll bet it is.

ROXY
If we practice now, I’ll do everything but the kiss.

CAPTAIN
What?

ROXY
I’ll do the real thing during the performance, but I’m not practicing that part. All the rest, but not that.

CAPTAIN
But…

ROXY
So… still want to practice?

CAPTAIN
Perhaps I am far too busy for this after all. Carry on stagehand. Help the girl practice.

ROXY
Girl?


CAPTAIN
But I expect that kiss to be extra passionate for the performance. I want the audience to believe we’re in love. I want them to see the fire between us. I want the stage to explode with romance.

(CAPTAIN exits. They laugh)

KELLY
Explode with romance?

CYRIL
You better make sure your insurance is up to date, Kelly. This place is going to blow.

KELLY
I think this play is going to blow. No offense, Roxy.

ROXY
None taken. I’m just going to make the best of this and have fun with it.

CYRIL
I will make our practice as entertaining as possible.

KELLY
Thank you both. I’m really glad I don’t have to cancel this show.


(KELLY exits)






one act stage play script

Big Nose A Modern Cyrano Part 2 one act stage play script for actors

$
0
0
BIG NOSE PART 2

CAPTAIN
You think you could leave me the key to the theatre tonight? I’ll lock up. I’d like to have no interruptions while Roxy and I practice.

KELLY
Fat chance, Creepo. I’ll be here to keep an eye on things.

(SOLDIER is practicing his swordplay.  He tries to get CAPTAIN to spar with him but CAPTAIN waves him off.  SOLDIER does some practice alone.  CYRIL enters sweeping. He jumps into the sword play with SOLDIER with a broom and disarms him who makes a face at CYRIL, picks up his sword and leaves)

CYRIL
Hey, Kelly.

(CAPTAIN notices CYRIL’s huge nose)

CAPTAIN
Holy cow! Look at the size of your nose.


CYRIL
Is it big?

CAPTAIN
Huge! I’ve never seen such a big nose.

KELLY
You have permission to punch him if you want?

CAPTAIN
I mean… I didn’t know such noses were possible.

CYRIL
I am one of a kind.

CAPTAIN
More like two of a kind.

CYRIL
Why should I be offended, Kelly?  He just called me twice the man.

CAPTAIN
Catch you later… Big Nose.

(CAPTAIN exits)

SOLDIER
I’d like to say he’s not always this much of a jerk but then I’d be lying.

(SOLDIER exits)

KELLY
Wow, I’ve seen you flip out over much less than that.

CYRIL
I have no hate in my heart today for I am in love.

KELLY
Again?

CYRIL
For real this time.

KELLY
With who?

CYRIL
Roxy.

KELLY
Who isn’t?

CYRIL
What do you mean?

KELLY
She’s a very beautiful woman. Everyone likes her. Especially the actor who just called you Big Nose.

CYRIL
What?!

KELLY
Want to kill him now?

(CYRIL is sad now)

CYRIL
What’s the point? How do I have a shot against guys like that?

KELLY
Because he’s a complete loser.

CYRIL
With a nice little nose… and chiseled features… why would Roxy want to be seen with a guy like me?


KELLY
Because you’re kind… you’re funny… you’re smart.

CYRIL
With a really big nose.

KELLY
So many guys are a waste of food. I just keep my guy around so he can open jars.

CYRIL
Come on. Frank is a good guy.

KELLY
I thought you said if he was late to another emergency drill that you’d give him a swift kick in the back side.

CYRIL
I did say that didn’t I? Those emergency drills put me in a bad mood.

KELLY
Then why do them?

CYRIL
I’m trying to keep our community safe. I do those drills so our community is prepared for an emergency. I want to save lives.

KELLY
That’s why you’re a good guy… you care about others…

CYRIL
Maybe I care too much.

KELLY
Don’t get yourself too caught up on Roxy though okay?

CYRIL
Because of all the competition?  She have a boyfriend?


KELLY
I probably shouldn’t be telling you this but she did break up someone recently.

CYRIL
She did?

KELLY
Don’t get that look in your eyes.  She needs time to recover.  It’s not the right time to make your move.

CYRIL
I know it’s hopefully. It is always is for me. But sometimes a guy wants to dream a little.

KELLY
As long as you wake up sometimes…

CYRIL
I get a healthy dose of reality every time I look in the mirror… or sneeze.

I know I’m not destined to love… so I hope I’m destined for some greater good instead… that’s why I do things volunteer for those emergency drills and soup kitchens and help out at the old folks home. I want to matter to someone in this world.

KELLY
You matter to a lot of people including me.

CYRIL
But I want to matter to someone who loves me… more than a friend. Someone I can live life with and grow old with and really connect with.

KELLY
I’m married and I’m not sure that’s what you always get.

CYRIL
But you two really care about each other. I see it. You have a connection.

KELLY
For better or worse.

CYRIL
That’s better than what I have. Nothing. But when I see Roxy...

KELLY

Cyril… please…



Big Nose A Modern Cyrano Part 1 one act stage play script for actors

$
0
0
Big Nose
(A Modern Cyrano)
by D. M. Larson
Copyright (c) 1994, 2003, 2016
All Rights Reserved*

Please do NOT repost the text of this script online.

For permission to perform the script, contact doug@freedrama.net

Cast of Characters
CYRIL: A local man who has a rather large nose.

ROXY: An actress in the CAPTAIN'S play who catches CYRIL'S eye.
KELLY: CYRIL'S friend who runs the theatre.

CAPTAIN: A bad actor who makes William Shatner look good.
SOLDIER: Another equally bad actor.
FRANK/FRIEND(S): A friend of CYRIL'S in the audience who can be played by one or more actors of either gender.

Time and Place

A modern day community theatre in small town USA.

SCENE 1

(KELLY and ROXY are working upstage on the set for a scene that takes place outside a castle. CAPTAIN is on stage practicing his sword fighting technique which is terrible. SOLDIER enters and CAPTAIN stabs him. SOLDIER sighs)

CAPTAIN
What’s wrong?

SOLDIER
Heather called in sick.

CAPTAIN
She what?! She can’t do that.

SOLDIER
She’s really sick… I could hear her… getting sick over the phone.

CAPTAIN
What are we going to do?

SOLDIER
I can play both parts.  She and I are not on stage at the same time.

CAPTAIN
But she gives me a kiss at the end of the play. I don’t want you kissing me.

SOLDIER
Is my breath that bad?

CAPTAIN
We’ll have to cancel the show.

(KELLY goes over followed by ROXY)

KELLY
Something wrong?


CAPTAIN
One of our actresses bailed on us.  We’ll have to cancel the show.

KELLY
This is terrible. I can’t afford to refund all those tickets.

CAPTAIN
Well, I’m not paying them back.

KELLY
Now wait buddy… we have a contract… I believe I get a refund if you don’t perform...

CAPTAIN
Minus a non-refundable processing fee.

KELLY
Where does it say that in the contract?

CAPTAIN
(To SOLDIER)
They never read the fine print.

KELLY
You crook!

ROXY
Wait, how big of a part is it?

CAPTAIN
Not big, but important. She is my love interest. And she has to kiss me at the end.

KELLY
That’s probably why the actress called in sick.

ROXY
I can do it.

KELLY
You’d do that?

CAPTAIN
Yeah, you look like someone I could kiss.

ROXY
If it would help you, Kelly, I’ll do it… for you.

CAPTAIN
You’re way hotter than the other actress.

SOLDIER
Hey, that’s my girlfriend.

CAPTAIN
And she’s a bad kisser.

SOLDIER
For you maybe.

(SOLDIER practices his swordplay during the scene)

CAPTAIN
So… what’s your name, beautiful?

ROXY
Roxy.

CAPTAIN
Nice name too. Yum.

KELLY
Uh… Roxy, you don’t need to do this.  I’m willing to take a loss on this one.

ROXY
This theatre is struggling as it is. I’ll do it. I’m here to help remember.

CAPTAIN
So why don’t you go try on the costume. It should fit. You have the right build. And we’ll practice the scene a few times?  I want to make sure we get it right.

KELLY
I’ll bet you do.

ROXY
Okay, I’ll back in a sec.

KELLY
Thanks for taking one for the team.

ROXY
You owe me.

KELLY
Big time.


(ROXY exits)




Flowers in the Desert Part 22 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
Part 22


ACT II Scene 3


(JAMIE comes out)
JAMIE
Ma isn't back with Shelly yet, huh?
SARGE
Nope. But they should be here soon. The doctor gave the okay last night.
Why? What ya' need?
JAMIE
I had something I wanted to show everyone.
SARGE
What is it?
JAMIE
Maybe I should wait for everybody.
SARGE
I ain't nobody, you know.
JAMIE
Okay. I'll be right back.


(JAMIE disappears inside. SARGE smiles and waits. JAMIE is inside and calls out:)


JAMIE (CONT.)
Now close your eyes, Sarge.
SARGE
(Closing eyes)
Yes, ma'am.
JAMIE
Here we come.


(JAMIE comes out with PAULA who is done up beautifully in make-up, a new hairstyle, and a very nice dress. JAMIE guides her out. PAULA is embarrassed)


JAMIE (CONT.)
Okay, Sarge.
SARGE
(Sees PAULA. Is surprised)
Well, look at you.
PAULA
Is that good?
SARGE
You look wonderful, Paula. I almost didn't recognize you.
PAULA
Really?
SARGE
You're as pretty as any girl I've ever seen.
PAULA
(Blushing)
Thanks, Sarge.
JAMIE
See, Paula. You are pretty.
PAULA
I guess so.
JAMIE
We need a picture of this.
SARGE
You bet we do. I'll go get my camera.
(Goes inside)
PAULA
This is so wonderful. Thank you, Jamie.
JAMIE
It was no trouble at all. Now, I better go help Sam with breakfast.


PAULA
Sam's making breakfast? I thought she couldn't cook.
JAMIE
Oh, dear. This will be interesting.
(Exits inside)


(PAULA is embarrassed but happy.  SARGE comes out with camera. TINA follows)


SARGE
Doesn't Paula look great?
TINA
(Laughs)
Yeah. Too bad it isn't Halloween yet.
SARGE
Tina!
PAULA
She's just jealous. Everybody else thinks I look great.
(Goes inside)
SARGE
Now, she's upset. Try to think before you speak, Tina.


(SARGE exits inside)
TINA
What did I do? Geez. Some people can't take a joke.






GO TO MAIN MENU (& CAST LIST)

Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert


Flowers in the Desert Part 21 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
Part 21


ACT II
Scene 2


(Lights comes up on LINC who is writing a letter to Shelly.  He pauses his writing and reads what he wrote)


LINC
So much of my life I was searching... Missing something. I was a wanderer... Lost in the desert without you... Seeking nourishment but getting a mouthful of sand. Catching glimpses of you... Thinking you were a lovely mirage in the heat of madness. Something I would never be able to hold on to. A fantasy... Some trick of the light.


But you are real. More real than my life before... My past a nightmare... My future a never ending dream because of you.


When I found you... truly found you... I knew you would make my life complete. You complete me... Make me whole. You are the missing piece of the puzzle that made the full portrait of me. Finally there is meaning to it all. The meaning of life is no longer a mystery. The meaning is life is you.


You are the reward ... The gift after the sacrifice. Freedom from the slavery of my past.


In you I find the freedom to be who I really am. Safe to be myself. Safe to love and grow in spirit, sheltered in your loving embrace.


(He smiles and puts the letter in an envelope. He licks it, closes it and gives it a kiss. Lights fade to black)


END OF SCENE



GO TO MAIN MENU (& CAST LIST)

Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert


Flowers in the Desert Part 20 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
Part 20


ACT II


Scene 1


(JAMIE and SAM are watching the sunrise - they never went to sleep - been up all night talking)


PAULA
What a beautiful morning. Oh thank you, God for making sure I didn't miss this.
SAM
I hate morning people.
PAULA
Look at that sun rising out of the mountains. You know, I think I'm getting a little peek at God.
(Rooster crows)
Oh, I'm coming Colonel Sanders. I haven't forgotten about you.
(Exits R)
SAM
That girl is so weird.
JAMIE
I wish I could be that happy in the morning. The only thing I like to see this early is my pillow.
SARGE
(Appears at window)
There you are. What are you girls doing?
SAM
We got up early to see the sunset.


JAMIE
Sunrise.
SAM
Sunrise. I've been bragging to Jamie so much about it she just had to see it.
SARGE
And how would you know how nice they are? You're never up this early.
SAM
How would you know?
SARGE
Because I'm always up this early.
SAM
Oh.
SARGE
Since you’re up, I need your help.


SAM
Oh, no. Really?


SARGE
Come on.


(SAM sighs and goes inside. JAMIE takes out a journal and looks at a picture. PAULA enters and goes up to JAMIE)


PAULA
Hi, Jamie. Whatcha doin’?


JAMIE
Just looking at my journal. Sometimes I write in it. And I collect pictures.


(PAULA sits by JAMIE and looks at the picture she is holding)


PAULA
Who is that? He’s cute.


JAMIE
My ex-boyfriend.


PAULA
Ex?


JAMIE
Yeah, he broke up with me.


PAULA
I’m sorry.


JAMIE
It’s okay. I wish I knew why. He just stopped talking to me one day. Not that he liked to talk much anyway. Guys never do. They always have something else in mind.
PAULA
You know, I've never even been on a date. I mean being single was fine for Jesus and all, but I got special needs. Is that bad of me to think that way?
JAMIE
Well, no...
PAULA
I'd really like to get to know a boy. Hold his hand.
(Embarrassed)
Kiss him...
JAMIE
Don’t you know any boys?
PAULA
Not many boys around here. That’s on purpose I’m sure. They’re trying to keep us safe I suppose.
JAMIE
You go to church don't you?
PAULA
Yeah.
JAMIE
Don't you like any guys there?
PAULA
They all think I'm weird. Heck, they think all of us are weird. The only one of us they'll have anything to do with is Shelly and we all know why they like her.
JAMIE
Why's that?
PAULA
'Cause she's pretty.
JAMIE
You're pretty.
PAULA
Not like that.
JAMIE
No, but in your own special way.
PAULA
But guys don't want special.
JAMIE
Some do.
PAULA
I haven't met any.
JAMIE
One will come along.
PAULA
You think so?
JAMIE
Yes. Tell you what. Why don't we go up to your room and I'll show you just how pretty you are. We'll put some make-up on you, do your hair, and find a dress that compliments your better qualities.
PAULA
I don't know.
JAMIE
Come on. It'll be fun. And if you don't like it, you can wash it all off.
PAULA
(Smiles)
Jamie?
JAMIE
Yeah?
PAULA
Why are you being so nice to me?
JAMIE
What do you mean?
PAULA
Nobody else here cares. At least not any of the girls.
JAMIE
I'll have to tell you, Paula. Not everybody is like the girls you live with here. There are some pretty nice people out there. Sometimes they're hard to find, but they're there.
PAULA
I'm sure glad I found one of them.


JAMIE
I am too. Let's go.
(They go inside arm in arm)


END OF SCENE



GO TO MAIN MENU (& CAST LIST)

Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert



Flowers in the Desert Part 19 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
PART 19


ACT I
Scene 2


LINC
Community service... Better than jail I guess.  I just wish I didn't have to wear this stupid uniform. And these sick people... Why is everyone in the hospital so sick all the time?  I hope I don't catch anything. And who wants books and magazines anymore? Especially out of date ones. How old are these magazines? "Man on the Moon!" I feel like the man on the moon working in this place, wandering around with my books and magazines and flowers, totally out of place in some weird outer space... Lost on the dark side of the moon. Well I guess they'd want something to read if the TV in their room is broken. Man, that would suck. Stuck in a hospital bed with no TV. Seems like the only one who wants anything from me is Old Ms. Sadie. I hope she doesn't want me to read to her again. There is nothing creepier than reading a romance to an old lady.


(Sees a new patient)


Wait a minute. Who is that? Check out the new girl. What's her name? Where's the room chart? Shelly. That's a pretty name. I have to meet her. I wonder if she wants a magazine... Teen Beat? No, she looks more classy than that. She looks like a Cosmo girl. I mean Cosmo woman.


(Looks frantically at cart for something to give her)


Flowers. I will give her flowers. Old Ms. Sadie has enough flowers, She doesn't need these. Little note... Lost...


(Takes note off flowers and tosses it)


New love ... found.


(Boldly goes to meet Shelly)


END OF ACT I




Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert


Flowers in the Desert Part 18 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
PART 18


PAULA
(Off)
Thank you, Sarge. I'm expecting some important information.
(Enters R)
I sure hope it comes today.
SAM
(Comes from house with JAMIE)
A break already? Seems like we've hardly worked at all.
JAMIE
I think we've spent most of the time talking.
SAM
(Trying to look serious and tough)
I've been working and nobody is going to know different are they? It's our little secret.
JAMIE
(Laugh)
Uh-huh, okay.
SAM
(Like a gangster)
You're a good kid. I like you. I think I'll keep you around.
SHELLY
(Enter R dirty, tired and upset)
Look at me. What a mess.
(She is walking weird. Almost in tears)
And I broke a nail too.
PAULA
(Goes to her)
Let me see. Poor, Shelly.


SHELLY
(Moves away)
I don't need your sympathy, Paula.
SAM
What Shelly needs is a demolition crew.
SHELLY
Do I look that bad?
SAM
Let's just say that the bride of Frankenstein had better hair days.
SHELLY
Oh, and I had my hair perfect today.
PAULA
Don't listen to Sam. You never look bad.
SHELLY
And what do you know, Paula. You can't even wear clothes that are color coordinated.
SAM
Man, Shelly. What did Paula ever do to you?
PAULA
Its okay, Sam. She's upset. She doesn't mean it.
SHELLY
Of course, I’m upset. I’m a mess.


(JAMIE goes to SHELLY upset)


JAMIE
Shelly, you’re bleeding!


(SHELLY is faint)


SHELLY
What?


JAMIE
Your foot!


SHELLY
My poor shoes…


(SHELLY faints)


PAULA
That’s a lot of blood.


(PAULA faints too)


SAM
Sarge! Ma! We need help!


END OF SCENE



GO TO MAIN MENU

Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert


Flowers in the Desert Part 17 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
PART 17


TINA
(Enters R)
Hey, Sarge. Can I take a break and go get the mail?
SARGE
As long as you’re more than halfway done. I do have other things for you to do.
TINA
I'll be done. Can I drive the truck down to the mailbox?
SARGE
I guess...
(Tosses her the keys)
Keep it under 30.
TINA
You're no fun.


(Exits L)
SARGE
One of these days, one of the girls is going to run off on me.
MA
They have. Don't you remember our first year here?
SARGE
I've been trying to forget.
MA
I swear we spent half our time chasing those girls down.
SARGE
But when your only choice is jail or here, I know where I'd be. I wish they would have had some place like this for me when I was a kid. It may've kept me out of trouble.
MA
(Smiles and laughs)
Probably not.
SARGE
(Looks at watch)
It is about time for break, isn't it?
MA
Maybe not for Sam though. Every time I turn around she's taking a break.


SARGE
Besides the girls will want to get their mail. Some of them really look forward to it. I'll go get Paula and Shelly. Maybe I'll even surprise Shelly and finish up for her out there.


(SARGE exits R)
MA
And I suppose I'll get Sam.


(MA exits inside)






GO TO MAIN MENU (& CAST LIST)

Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert


Flowers in the Desert Part 16 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
PART 16
MA
(Comes out)
How long does it take to shake out a rug anyway? This is going to take us all day.
JAMIE
Sorry, we got to talking.
SAM
We've been sharing our darkest secrets.
MA
Oh, dear. That doesn't sound good.


SAM
(Gets a weird look on her face)
No. It wasn't.


(JAMIE and SAM laugh and go inside)
MA
(Shakes out a small rug)
At least they're getting along.
SARGE
(Takes off headphones)
You think those kids would learn by now.
MA
(Goes to him)
What are you talking about?
SARGE
I heard their secrets.
MA
(Interested)
You did?
(Realizes she's an adult)
You shouldn't listen to them like that, Joe.
SARGE
I guess you don't want to know what they said then.
MA
I didn't say that.
SARGE
I didn't overhear anything new with Sam, but Jamie did say why she's here.
MA
She ran away because she doesn't like the man her mother is seeing.
SARGE
How do you know that?
MA
I just called Jamie's mother. Jamie left a note for her mom telling her why she left but her mom didn't know where Jamie went.
SARGE
So much for my career as a spy.
MA
Connie was sure glad to hear that Jamie's with us.
SARGE
I'll bet. So is Connie coming to get her?
MA
She wanted to but I told her to give it some time. I think Jamie might come around on her own.



GO TO MAIN MENU (& CAST LIST)

Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert


Flowers in the Desert Part 15 family friendly version of stage play script

$
0
0
FLOWERS IN THE DESERT
PART 15


(SARGE puts on his headphones an returns to his flowers)


SAM
So, I’ve done most of the talking. What’s your story?
JAMIE
I don't really have any to tell.
SAM
Everyone has a story.
JAMIE
I'm afraid there's nothing to tell.
SAM
What about why you're here?


JAMIE
What do you mean?
SAM
You're not really here for just a visit, are you?
JAMIE
How did you...


(SARGE is listening now)
SAM
I've been around, Jamie. I'm not stupid.
JAMIE
I guess not.
SAM
So come on. Spill it.
JAMIE
I don't really want to talk about it.
SAM
Oh, it must be good. Let me guess. You were caught shoplifting?
JAMIE
(Annoyed)
No, Sam. Nothing like that.
SAM
You had a bad hair day and your friends made fun of you.
JAMIE
Now, you're making fun of me.
SAM
I'm sorry. I won't say another word about it. I won't even ask a question again. About anything. Anything at all.
JAMIE
Fine. Do you want to hear my big secret?
SAM
(Desperate)
Please.


JAMIE
Yesterday, I packed up my bags, hopped on a bus, and left home for good.
SAM
You ran away, huh?
JAMIE
You sound disappointed.
SAM
I was hoping for something a little more exciting.
JAMIE
I couldn't stand living there anymore. It was bad enough when my perfect sister was around, but now my mom has a new guy living with us.
SAM
Wicked stepfather, huh?
JAMIE
Sort of. They're not married... yet.




GO TO MAIN MENU (& CAST LIST)

Purchase a low cost PDF of the full play at http://www.currclick.com/product/105534/Flowers-in-the-Desert


Viewing all 930 articles
Browse latest View live


<script src="https://jsc.adskeeper.com/r/s/rssing.com.1596347.js" async> </script>